Review: Spider-Man

Musical: Spider-Man: Turn off the Dark (Preview Version 1)
Venue: Foxwoods Theatre, New York
Date: 8th April 2011 at 20:00
Cast: Reeve Carney (Peter Parker/Spider-Man), Jennifer Damiano (Mary Jane), Patrick Page (Norman Osborn/Green Goblin), T.V. Carpio (Arachne), Ken Marks (Uncle Ben), Isabel Keating (Aunt May/Classic Teacher), Kevin Loomis (u/s J. Jonah Jameson), Laura Beth Wells (Emily Osborn), GEEK CHORUS: Gerald Avery (Jimmy-6), Jonathan Schwartz (Professor Cobwell), Mat Devine (Grim Hunter) and Alice Lee (Miss Arrow)
Rating: **1/2


Review: I'm just gonna admit it shamelessly that I ENJOYED SPIDER-MAN despite its many flaws. There, I said it. So let's get down to the actual review. This is one musical that I didn't plan on seeing at all. It was my second day in New York and I was selecting my shows at TKTS and was probably gonna see either Mary Poppins or La Cage but the seats were pretty bad so I decided to ask for Spider-Man and it turned out that since I was alone, I was able to get a seat in the centre orchestra for $90 so I thought why not give it a chance. I have always been curious about it anyway so I took my shot.

I arrived at the Foxwoods Theatre about 10 minutes before the show started. My brother went to see the play "The Importance of Being Earnest" at the next-door American Airlines Theatre with his friend. I took my seat and noticed that there were a lot of children, kids and teenagers in the theatre as well as "tourist-looking" audience.  The Foxwoods is a very beautiful theatre with very high ceiling, or maybe in USA, every theatre is big and tall. Anyway, let's start the review, shall we?

NOTE: LOTS OF SPOILERS BELOW (as if it matters now..)

Let's get the bad things out first. I really didn't enjoy the music in the show. As you know, it is written by Bono and The Edge and the sound was very U2-ish.. I guess there were some nice songs but most of them were just horrible and painful to listen to, notably 'Bullying by Numbers', 'Deeply Furious' and 'Sinistereo' to name a few.

Also, I disagree with some of the direction in the show, at that point was still by Julie Taymor who was later replaced. Spider-Man slow-motioned ran down the bridge was just weird to look at. The whole 'Bullying by Numbers' (again!) were just so amateur. Most of the drama didn't look real and it did take away a lot emotionally for the audience especially in (supposed-to-be) dramatic scenes like when Peter and Mary Jane fought with their 'parents' at home or the death scene of Uncle Ben, or maybe it's just bad acting? Another really bad scene was when Peter Parker (as the Human Spider) wrestled with the 'inflatable' wrestler.. Feel bad for the actor, he must have felt stupid. And whoever thought of the villains 'fashion show' at the top of act two and the shoes scene should go hang themselves.

The director, Julie Taymor

However, the show was truly a spectacle. The sceneries were nicely-done, lots of perspective angles. There were quite a number of stage effects which was fun to watch. Many of the scenes were designed to replicate the comic-book style which was also quite good.

The main highlight of the show was probably the flying stunts. It was a real feast for the eyes. They were swinging at a very fast speed (I heard 50 mph) professionally and they would jump from the very back of the stage to stagefront in seconds, catching many front-row audience off guard. There were also platforms on the mezzanine right and balcony left where Spider-Man would stop at (and greet his audience). However, this, at several times, made me feel like I was not at a musical, rather, it made me feel like I was at a kids show where stuntmen in costumes would act to the pre-taped conversation using exagerrated body gestures. (Get the picture?)

Here comes Spidey!

Personally, I feel that the musical was a lot better when there were real people involved in the show and that was probably what made me enjoy the show a lot because the actors in this cast was really talented ones. Reeve Carney was our Peter Parker/Spider-Man and he had a really charming presence (though he reminded me a lot of James Franco). His voice was quite good, not your typical Broadway voice, but seemed to suit the sound of U2 very well. His solo in 'The Boy Falls from the Sky' towards the end of the show really showcased his talent. Jennifer Damiano from Next to Normal fame was our Mary Jane Watson and she didn't disappoint at all. Her singing was great and it was such a pleasure to hear her sing. And when both of them joined forces onstage in a duet like 'No More' and 'Walk Away', it was a real treat for the audience.

Reeve Carney and Jennifer Damiano

Reeve Carney in his Spider-Man costume

Patrick Page whom I saw as Scar in The Lion King on Broadway many years ago played Norman Osborn/The Green Goblin. I think he did well for the material that he was given. I really hate how they design the costume for Green Goblin, it was just ugly and couldn't match the look in the movie at all.

Patrick page as the Green Goblin at curtain call

Another star of the night was T.V. Carpio as Arachne, the new character written for the stage. Though I doubt the rationality of her character in the show, she really did her part well. She was beautiful and she chose to sing the songs more hauntingly which suited both the character and the show really well. She brought arrays of emotions to the show as well as her character, especially in her opening scene during the number 'Behold and Wonder'. That must have been my favourite scene of the whole show. I didn't like the idea of the Geek Chorus in the show and frankly they threw me off a bit in terms of what they were doing there and their narration didn't really help move the story along at all, actually they dragged the show even more.

T.V. Carpio who plays Arachne

Arachne in the musical (I think this is Natalie Mendoza though)

I also would like to mention the scenes at the Daily Bugle with J. Jonah Jameson. I think it was a clever way of moving the stories along quickly. Kevin Loomis was our JJ understudy and he did very well with this non-singing part.

Overall, I think the problem of the show lies in its story. The show crammed the whole Spider-Man 1 into Act One so we lost all connection with the character. If I hadn't watched the movie before, I wouldn't give a damn when Uncle Ben died. Here, he was seen only once before he died so there wasn't any emotional connection between him and Peter (or even us). Aunt May's role was very pointless and she didn't contribute anything to the story here. A waste of talent for having Tony nominee actress like Isabel Keating portray her. Frankly, I don't think I even understood what happened to Green Goblin and how he died.

The end of Act One with Spider-Man and Green Goblin
on top of the Chrysler Building in Manhattan

Then, Act Two was even worse. I tried really hard to make sense of the story but I really couldn't. Most characters from Act One either died or disappeared. Arachne became the villain instead. I wasn't sure whether the whole Act Two was mainly Arachne's illusion or what and the end, I think they were trying to be Phantom but it just ended so easily. You were totally lost and wondered "what the heck just happened and why did she transform back into a goddess?"

There were a lot of holes in the story to be fixed. Now the show has gone into hiatus aiming to revamp before it re-opens in June after this year's Tony Awards. I read some news about it and I like the many things that they are going to change. Green Goblin will live through to Act Two which could make more sense. Geek Chorus will be taken out, good! (I do feel sorry for the actors who play them though. Where would they be, fired?). And I also heard the role of Arachne will be reduced to a sort of Spider-Man's guardian angel rather than villain. I like that idea and it might make better sense but I hope they still give her a lot of stage time because, again, T.V. Carpio is amazing. 

Geek Chorus whose roles will be taken off the new version

Overall, what I can say about the show is that it is fun and entertaining to watch. The audience seemed to like it since there was a standing ovation in the whole theatre. I'd recommend it to anyone who enjoyed a night out at the theatre and doesn't mind a light-hearted musical and it seems like a good one to bring the kids to. If I were in NYC, I would go see it again after it re-opens wholeheartedly. I really root for the show to be better because it holds such high potential that hasn't been exploited yet. However, stay away from this show if you're expecting something more than fun at the theatre, i.e. if you hate shows like Mamma Mia! and Legally Blonde. 

The first scene in the show

Arachne and Peter Parker during 'Rise Above' number

The Spider-men at curtain call. I counted 9 of them.

The famous Spider-man kiss which they saved for the curtain call
(I think it would be cool to have this in the show though)

Seat Recommendation:
Orchestra: do not take anything behind row S because you won't see any flying
Mezzanine: take the left side in the front to be closed to Spider-Man and Arachne
Balcony: take the right side in the front to be closed to Spider-Man


Here are the videos of Spider-Man I found on YouTube. The first one is the montage of the show overview. The other is the three main casts singing "Rise Above" on the Letterman Show. Enjoy!

Musical Numbers
ACT ONE
Splash Page... Citizens
Behold and Wonder... Miss Arrow, Arachne and Weavers
Bullying by Numbers... Bullies and High School Girls
No More... Peter and Mary Jane
D.I.Y. World... Osborn, Emily, High School Students and Lab Assistants
Bouncing off the Walls... Peter and Geek Chorus
Rise Above... Peter, Arachne and Citizens
Pull the Trigger... Osborn, Military Generals and Soldiers
Picture This... Peter, Mary Jane, Osborn and Emily
I'll Take Manhattan... The Green Goblin


ACT TWO
Spider-Man Rising... Busker and Citizens
Turn off the Dark... Arachne
Walk Away... Peter, Mary Jane and Geek Chorus
Think Again... Arachne and Furies
Sinistereo... Soloists
Deeply Furious... Arachne and Furies
If the World Should End... Mary Jane
The Boy Falls from the Sky... Peter


From the Playbill:
The Myth of Arachne
(An excerpt from Peter Parker's Oral Report)
The ancient Greeks reserved a special word for the sort of arrogance that makes you forget your own humanity. That word was hubris. In the time before Time, there was a young woman named Arachne, celebrated far and wide as the most gifted of weavers. Gods and animals - made only of thread  - seemed to come to life on Arachne's loom. Woven bulls bellowed and leapt, rivers roared and splashed those who came near Arachne's tapestries, so magical was her art. Before long, Arachne was boasting that her skills were greater than even those of the Gods. The Goddess Athena heard these impudent claims and was not pleased. After all, Athena - in addition to being the Goddess of Wisdom and War - was also the Goddess of Weaving. So she challenged Arachne to a weaving contest, and that night shuttles flashed across two giant looms as the young mortal and the powerful goddess created tapestries of exquisite beauty. But to all in attendance it was plain to see that Arachne's tapestry... was better. Enraged, Athena destroyed Arachne's work. In despair, Arachne hanged herself. But Athena took pity on the dying girl and transformed her into the world's first spider. "Now you shall live and weave forever," said Athena. Arachne was cursed to immortality in the shadows. Nevermore would she and her work inspire praise; now, only fear. Arachne was doomed to live and weave alone - alone and forever... nevermore in the light.

Review: Catch Me If You Can

Musical: Catch Me If You Can
Venue: Neil Simon Theatre
Date: 7th April 2011 at 20:00
Cast: Aaron Tveit (Frank Abagnale, Jr.), Norbert Leo Butz (Agent Carl Hanratty), Tom Wopat (Frank Abagnale, Sr.), Rachel de Benedet (Paula Abagnale), Kerry Butler (Brenda Strong), Nick Wyman (Roger Strong), Linda Hart (Carol Strong) 
Rating: ***1/2

Review: It's my first night in New York and my brother got me a ticket to see the new musical "Catch Me If You Can" which was still in preview back when I saw it (it was due to open on the following Sunday). The main reason we went for this one is purely the cast. How could you say no to Aaron Tveit and Norbert Leo Butz??!! and we weren't disappointed at all in that aspect of the show.

After a nice meal at Public, we went straight to the Neil Simon Theatre (where I saw Hairspray 6 years ago) and ready to enjoy the show. We got to our seats which was in the front orchestra right, very much to the side. We had quite a bad overview of the stage but what's good was we got to see the actors really close.

The Neil Simon Theatre

The musical is based on the 2002 movie of the same name starring Tom Hanks and Leonardo DiCaprio. It started as Frank, Jr. was arrested at the Miami Airport and he demanded that his story to be told to the "audience" by putting into a show "live in living color" despite Agent Hanratty's objection. I think it was quite neat in terms of how the show was told. It gave all the characters a chance to address the audience. However, there were times when I felt that the show relied too much on narration which became boring after a while. 

Live In Living Color

The script in the musical by Terrence McNally was very similar to that in the movie (and probably in the book). I like it since it reminded me of the good moments in the movie but my brother disagreed, he felt that it left nothing new for the audience who had seen the movie. My favourite scene was towards the end of Act One where Frank, Jr. made a phone call to Hanratty on Christmas Day. I think it captivated the vulnerable side of Frank, Jr. very well.

The music was written by Marc Shaiman and Scott Wittman of Hairspray and it reminded me a lot of Hairspray. I must say that the music is not the strongest part of the show. There were some catchy tunes, of course like 'Seven Wonders' 'Fly, Fly Away' and 'Live in Living Color', but most of them were 60s music which, again, became quite boring after having listened to so many of it like 'Butter Outta Cream' and 'Little Boy, Be a Man'.

The real star of the show was probably the actors. Aaron Tveit was just phenomenal! He had the charm of a conman and his acting was just terrific, especially in the sadder moments in the show. And his singing voice, what can I say about that voice! It was a pleasure to hear him sing live. 'Good-Bye' was my favorite song of the night. 

Aaron Tveit as Frank Abagnale, Jr.

Then we had the amazing Norbert Leo Butz. Nothing more to be said of this man. His comedic timing was just impeccable. His expressions when Frank, Jr. was about to tell the story was hilarious and his solo number 'Don't Break the Rules' received several minutes of thunderous applause. I wonder what they would do if he ever left the show.

Norbert Leo Butz as Agent Carl Hanratty

However, what bugged me was that the two of them kept reminding me of Lawrence and Freddy in Dirty Rotten Scoundrels especially in the last song 'Strange But True' which resembles 'Dirty Rotten Number" a lot but didn't really give the show as good a closing theme as DRS.

I also needed to mention the rest of the cast, Tom Wopat, Rachel de Benedet and Kerry Butler who portrayed their roles very well, both acting and singing. Another thing I need to mention are the GIRLS. Oh, wow! They all were very beautiful and really stole the show whenever they came on to the stage and I guess the producers know that so they put them on the stage fairly often.. ;) Visually, the scenes were simple and you also have your orchestra on the stage so at times it made you feel like you were watching a concert.

with Tom Wopat at Frank Abagnale, Sr.

Kerry Butler as Brenda Strong
during "Fly, Fly Away" number

The graceful Rachel de Benedet
as Paula Abagnale (Frank's Mother)
during 'Don't Be a Stranger' number

Overall, I can't totally say that I love the show. It was good, entertaining and enjoyable but a bit old-fashioned to my liking. I must admit that I did yawn at several points in the show, probably because of the music and the narration and wasn't sure if I want to see it again. But I wouldn't say that it was a disaster. It was worth the ticket price to see all these actors performing live on stage together but I doubt that it would do well on this year's Tony Awards against big contenders like Anything Goes, Mormon and H2$. So, if you're curious about the show, I say give it a go. If you're a fan of Aaron and Norbert, definitely come and see it, but if you have a limited number of shows to see, I'd say go for other ones first.

'Jet Set' with beautiful flight attendants

'Doctor's Orders' with even more beautiful nurses

I went to the stagedoor after the show with my brother and got my pictures taken with both Aaron and Norbert. :)

Me with Aaron Tveit (if a bit far..)



Me with the ever-amazing Norbert Leo Butz

 

MUSICAL NUMBERS

ACT ONE

Overture

Live in Living Color... Frank, Jr. and Company

The Pinstripes Are All That They See... Frank, Sr., Frank, Jr. and Company

Someone Else's Skin... Frank, Jr. and Company

Jet Set... Frank, Jr. and Company

Live in Living Color (Reprise)... Frank, Jr.

Don't Break the Rules... Hanratty and Company

The Pinstripes Are All That They See (Reprise)... The Ladies
Butter Outta Cream... Frank, Sr. and Frank, Jr.

The Man Inside the Clues... Hanratty

Christmas Is My Favorite Time of Year... Partygoers

My Favorite Time of Year... Hanratty, Frank, Jr., Frank, Sr. and Paula

ACT TWO

Entr' Acte

Doctor's Orders... Nurses

Live in Living Color (Reprise)... Frank, Jr.

Don't Be a Stranger... Paula and Frank, Sr.

Little Boy, Be a Man... Frank, Sr. and Hanratty

Seven Wonders... Frank, Jr. and Brenda

(Our) Family Tree... Carol, Roger, Brenda, Frank, Jr. and Strong Family Singers

Fly, Fly Away... Brenda

Good-Bye... Frank, Jr.

Strange But True... Frank, Jr. and Hanratty

My First... The Musicals Version

Hey guys, I'm back. Broadway was great and I had a really great time seeing so many shows. I'll make sure to put the reviews of all the shows I saw up here as soon as I can.. In the meantime, while I was there, it reminded me of my last visit to Broadway back in 2006 and I was also thinking back to my past theatre experience in my life and I made up this little list of "My First..."

THAILAND

My first musical:

Onlaweng Pleng Nangfah, MBK Hall, Bangkok, 1991

My first international touring musical:
The Sound of Music starring Marie Osmond, Bangkok Playhouse, Bangkok, 1998

UK
My first musical in the UK:
The Phantom of the Opera, Bristol Hippodrome, Bristol, 1999

My first musical in the West End:
The Phantom of the Opera, Her Majesty's Theatre, London, 2003

My first TKTS in the West End:
Les Miserables, Palace Theatre, London, 2003

My first stage door in the West End:
Love Never Dies, Adelphi Theatre, London, 2010

My first musical in Leeds:
The Rocky Horror Show starring David Bedella, Grand Theatre, Leeds, 2010

My first musical in Manchester:
Hairspray starring Michael Ball, Opera House, Manchester, 2010

My first musical in York:
Monty Python's Spamalot, Grand Opera House, York, 2010

USA
My first musical in USA:
Jekyll & Hyde, Memorial Auditorium, Chattanooga, Tennessee, 2000

My first musical on Broadway:
Riverdance on Broadway, Gershwin Theatre, New York, 2001

My first musical at Lincoln Center:
Company, Avery Fisher Hall, New York, 2011

My first TKTS on Broadway:
Beauty and the Beast, Lunt-Fontanne Theatre, New York, 2006

My first stage door experience on Broadway:
Lestat, Palace Theatre, New York, 2006

My first lottery try on Broadway:
Wicked, Gershwin Theatre, New York, 2006

My first lottery win on Broadway:
American Idiot, St. James Theatre, New York, 2011

My first musical in Las Vegas:
Mamma Mia!, Mandalay Bay Theatre, Nevada, 2005

My first musical in San Francisco:
Wicked, Orpheum Theatre, California, 2009

JAPAN
My first show in Tokyo:
The Lion King, Shiki Theatre HARU, Tokyo, 2005

Hope you enjoy reading this.. Can you remember your "first time"?

Off to Broadway...

Suspending all my exam studies and assignments, I am off to Broadway, people!!! Though it is sad having to leave someone behind, I'm also quite excited to revisit the Great White Way. I was there last time in May 2006 and watched 7 shows!! My brother seems to be ready to take good care of me this time. He already got me tickets to see the new still-in-preview musical, Catch Me If You Can starring Norbert Leo Butz and Aaron Tveit and a sold-out concert version of Stephen Sondheim's Company at Avery Fisher Hall starring Neil Patrick Harris, Patti Lupone and more...

I guess there are rooms for more musicals.. My must-see this time around are Mary Poppins with original cast members, Ashley Brown and Gavin Lee and La Cage aux Folles starring Christopher Sieber and Harvey Fierstein. That still leaves me Sunday which I shall decide when I'm at TKTS. Suggestions, anyone?

I'll make sure to post reviews of all the shows that I've seen. Keep checking!

Ghost: The Musical

After hearing such good reviews of Ghost: The Musical, I was quite curious to find out more about this musical before going to see it some time before it closes in Manchester.

I was browsing the internet and came across an official website for Ghost: The Musical and there was a page showcasing 4 songs from the musical: Here Right Now, With You, Let Go and I'm Outta Here and I just fell in love with the music and can't stop going back to listen to them. The performers were very good. There were Caissie Levy (Molly), Richard Fleeshman (Sam), Andrew Langtree (Carl) and Sharon D Clark (Oda Mae).

And after listening to them so many times, I figure why not share it with my blog readers. So here is the amazing Caissie Levy who plays Molly singing the heart-wrenching "With You" live at the Whatsonstage.com Awards. Enjoy!

Here's the link to the rest of the songs: http://www.ghostthemusical.com/#/music

Some basic fact on the new musical:



GHOST The Musical is a musical with book and lyrics by Bruce Joel Rubin and music by Dave Stewart and Glen Ballard. Based on the hit 1990 romantic drama film of the same name, the musical had its world premiere at the Manchester Opera House on 28 March 2011 and will run there to 14 May 2011. It is then scheduled to open at Piccadilly Theatre in London on 19 July 2011, following previews from 22 June 2011.